Tremolo Pedal

Tremolo Pedal
Guitar multiple Effects Pedals?

Will the BEHRINGER X V-AMP have decant wah-Wah Pedal, tremolo, delay, reverb, flanger, and chorus setting? Moreover, How is battery equalizer against not only Equalizer Pedal. I also hear they have an effect that changes the sound of the electric guitar to an Acoustic Guitar. Is this true and how good is this effect, although it is true? And if anyone knows of more features in it that would be great if someone could tell me. I searched everywhere for a review, but I can not find one, so any input would be great except just saying it sucks and why. Thank you.

Okay, so this will not be as useful to you as I would, but I can share my experience and maybe that will assign you a little. I have the Behringer V-Amp Pro is the rackmount version of the V-AMP. I bought it because I like the line 6, I wanted to go to Rack Mount my equipment try to make gigging easier, and let's face it - I was low on cash. =) I do not know how much of my experience coincides with the V-amp. Since they have the same processing engine, I imagine that at least part of it. Right off the bat, the biggest problem I had with it was switching latency. I would be on a shortlist, switch to another (using the MIDI Behringer FCB1010 Change ... I think ... really a great pedal MIDI) and would not be audible half second of silence before the next preset loaded. That was not pleasant for me. Basically, this meant that my guitar had time just right so that when I moved not ruin the next riff, or at least so it seemed to our audience. I went to Yahoo Groups forum for this, and found that the biggest culprit was the speaker simulation. Dropping the sound quality dropped a bit, but nearly eliminated the latency switching. It had to be done. I was playing through a cab anyway no decent, so it was that bad. It responds well to change MIDI, but can be a little noisy. There is a transmission control somewhere that is set to 1 if it gets much more bawlz but a lot noisier. The noise is a problem ... the Noise Gate helps to cleaner settings I still had to have it in si .. at 3 for cleaning, at 7 or higher for distortion. The amp models are so-so. I like the SIM straight (straight in your head?) And some others ... again, Danged if I remember. Been a while since I used it. Many of the flavors, but without the speaker SIM that are not as distinctive as it should, in my opinion. Oh, yes ... Blackface Twin was one of my favorites, a very Bassy sound, ideal to be cleaned. The effects vary in quality. I did not like the wah, and some of the other effects are difficult to find a way to configure properly. Only There were two ways to adjust through the front of the box, the other settings I guess only via MIDI or a computer or some shit. Maybe I would have liked 'em better if I had the opportunity to adjust to right? I think I liked the chorus, flanger, and Phaser. I used the chorus more often, was the best of the three and the best for the music I was playing. The only taste I remember reverberation model was # 5, and that's because you could make synth-like environment and pads and swells very easy with him. Have a tap tempo delay function was nice, but hopes that if it happens to another preset restore it. Do not use the feature of compression much, mainly because the signal was so much hotter than running the risk of feedback. I do not remember if there was a tremor, if I Never Used it did. There was a AutoWah I was a bit of fun to play and sounded good when placed in a subtle, pleasant, but stronger was not as useful. I I remember that one acoustic sim. I used it a few times, but I do not remember why I do not use much (perhaps it was the fact that I played in a band of Hard Rock?). I do not remember hate, but I think I remember thinking to myself that the CDF wobble a bit. Yes, That's soooo helpful. EQ was a joke ... I have three buttons, a bass, media and sharp, and if a button is held down the treble became a presence. The problem I had was that sometimes the treble and presence had to turn around the way down and really not enough to muffle the sound. Presence is important to be heard in the mix, which hardly needs any. I ended up getting a rackmount stereo EQ (behringer, however) and use it to help tone, half of the unit before, and half after the unit after entered into the power stage, and then to the cabin. The EQ really made a big difference for me. It would be a little subtle about how I EQ'd before the unit I did not want it too hot, and if I pushed too sharp I get "icepick in the brain" sound. If I remember correctly, I used the following EQ: Before the unit from 1 to 3 dB around 3 kHz, -1 to -3 dB at around 450-600 Hz, and -3 or less below 100 Hz after the drive from -3 to -6 dB around 350 to 500 Hz, 1 to 3 db about 3 kHz, -1 to -6 PP between 4 and 6 kHz Hmm. Something like that. I could have some sharp left before the drive to calm screaming that end high (ie above 3 kHz). The idea is to cut the "mud" of frequencies (300-800 Hz) and more bass, less useful (below 80 Hz or less), while encounters with the "volume" and "attack frequency (1 kHz and 3 kHz, respectively). A lot of digital units have this crappy sound between 4 and 6 kHz, and if you can cut a little that, it will sound much better. Rackmount ruler units for the same price as a pedal function you waaaay more