Distortion Humbucker

Distortion Humbucker
How does this sound combination of collection?

I have a epiphone g-310 and a line 6 Spider 3 30 watts. I was thinking of a distortion Http://www.seymourduncan.com/products/electric/humbucker/progressive/sh6_duncan_dist/ Seymore Duncan in the bridge and 8 alternatives http://www.seymourduncan.com/products/electric/humbucker/alternative_8_s/ in the neck.

NO. Alternative 8 must go on the bridge. His sound a big truck, btw, I have the Alt 8 on my bridge and an Alnico II Pro in the neck. Combination sweet! I can make a huge Slash tone with the Neck Pickup (it has many bells!), Ranging from some nice clean tones with the bridge to this great piece with technology Alt 8. helped me to put in a push / pull pot to coil tap each of the pills ... It's a good combination, is really growing on me ... in other words, both the coil-tap pickups well. While the '59 / JB combination is a collection of the most popular combinations in the world, I think the A2P/Alt 8 is much better - even Alnico has to chime, but not as pervasive a pitched dang! I suggest using a 1 pot of Meg Alt 8 - it really helps the truck open. For pickups neck, wisdom common is to go with something a little lower production - decreased production truck has less pull on the chains, which especially in the position Mast means keeping *. * More than Seymour Duncan, my personal recommendations are the gates of Paradise for a little rougher sound, a little more rock blues the Alnico II Pro for a warmer, softer tone (the bass is a bit spongy though), or the model Jazz Love Seth for a bit more of a relaxed, yet versatile, the tone. Of DiMarzio, I wanted to test the PAF Joes for long. It assumes you have a very nice tone to them all. The Seymour Duncan forum could be a good place to look ... I did a search fast, and it appears that recommendations for an LP-Style Guitar are Alnico II Pro or jazz. Specifically, the guy was a Jazz neck and loves - Cleaning articulate, etc. He is a jazz musician, but curiously, jazz and metal Sharing a lot of the same tonal requirements - a pleasant tone with a final round of under strict to maintain clarity in the bass notes clearly defined. Whatever you do, pay attention to their volume and Tone Knobs, and the height of the collection itself ... reduce the low side of the truck (what I always do) to improve clarity and can help strengthen the final upsmooth under a little - a good thing if you're using High Gain. Hmm. Why just assume I was playing metal? Anyway, good luck! Saul